From Jyoti to Jasmine,
and every name in between, Mukherjee shows how even in America an individual
has to experience a death of selves and the reincarnation that ensues.
Mukherjee displays
aspects of pride through her description of Du; she suggests her son makes her
proud because of their shared struggle.
Jasmine or Jane, advertises the strengths of her son when she
articulates, adamantly, that Du is a product of his environment. He preforms well in school because “He has
always trained with live ammo, without a net, with no multiple choice. No
guesswork: only certain knowledge or silence. Once upon a time, like me, he was
someone else. We’ve been many selves. We’ve survived hideous times” (214). The sense of shared survival, especially
through extraneous adversity, reminds me of course-long themes. The feeling of self and sense of identity go
along with the experiences we endure, ultimately defining who we become. Jasmine and Du, through an arduous and
“hideous” experience, have become hardened, resilient, and redeemable
characters (214). Mukherjee illustrates
homelands because I believe sense of self, being defined by the survival of
difficult experiences, correlates with how individuals address their home and
mirror themselves.
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