Chandra or shall I say the short story craftsman, describes
and details living in Bombay with a subtle and substantial brush. He elucidates and draws attention to the
nuanced life of a 21st century Indian; portraying vividly Love and Longing in Bombay. In Artha, the fourth section of the book,
several themes are exercised. Vickram
Chandra reveals the foil or writing technique, which enables such smooth and
lucid framing. The separate stories are
built upon characters interrelations or interpenetrations; “I had been watching
him for weeks, him in his corner, watching us and all the others, and so I
filled his glass again…he laughed at me, his shoulders shaking. He picked up
the glass and drank” (Chandra, 164). The
writing is succinct and transitions well, the repetition of “watching” and
“glass” bridges the gap between different storylines and narrators.
The friendship of Iqbal and Rajesh is a loaded relationship
because they are best friends, but more than that they are lovers. Homosexuality, from my viewpoint, seems very
counterculture in Bombay. Iqbal’s
delivery or presentation of the narrative was difficult to pick up his
homosexuality. When he describes the
first night they met, on New Year’s Eve, it’s almost uncertain what went
down. Iqbal, almost taken by surprise,
is overcome by Rajesh’s advances; Iqbal said, “’why do you like me?’ ‘For your
beauty,’ he said, and cupped my cheek in his hand. I wanted to believe it and
couldn’t. ‘It’s true,’ he said, and kissed me”(199). I didn’t realize the intimacy of their
friendship until this late in Artha. The
incredulity that Iqbal felt I believe is a product of his culture; maybe a lack
of acceptance in Indian or his religion (Islam). But that’s where their friendship defeats the
odds, when the two meet they overcome so much.
Their stoic approaches towards their
differences and insistence that it wont come between them is admirable. Iqbal
describes the encounter: “when we told each other our full names we looked at
each other for a moment and noted and dismissed the difference in our religions
in one smile” (198). I love “in one
smile” because it shows the ability of human spirit; our curiosity forces us to
sift through or disregard certain aspects of difference. Iqbal’s persistence and loyalty, going to
such lengths to find/rescue his best friend,
give the story true substance.
I thought how Chandra depicted Bombay materialism was
interesting. There were two parts in Artha that stood out: one was his
depiction of the black bathroom and the other was Sandhya’s drawing room. The bathroom scene can be a representation
for the whole story, but that’s another subject, the black marbled bathroom
compelled Iqbal to say, “the room was so large and cool and luxurious I would
have been afraid to piss in there” (180). The bathroom’s blackness represented
corruption, the white dressed man was power, and Anubhav’s reflection was his
vanity. Sandhya’s drawing room, where
apparently no one can enter, epitomizes being ‘cultured’ by loosing your own culture;
she had the ideal room except the egg-shell effect. Unfortunately the room lost its functionality
or “it was the perfect room, and none of us were allowed to enter it” (186)
No comments:
Post a Comment